Tuttle at Tate Modern: Tate Modern’s Turbine Hall presents a new commission by Richard Tuttle, entitled I Don’t Know, Or The Weave of Textile Language. Featuring Tuttle’s textiles, the installation coincides with Whitechapel Gallery’s retrospective of the artist’s work from the 1960s to the present. These two displays comprise the United Kingdom’s largest-ever survey of Richard Tuttle. The textile installation, which combines “vast sways of fabrics designed by the artist from both man-made and natural fibers in three bold and brilliant colors,” will be on display through April 6, 2015. Read more from Tate Modern’s press release here.
Images © Andrew Dunkley, Tate Photography.
Tech Tuesday: Carsten Nicolai’s sound installation Particle Noise uses Geiger counters to measure radiation flow inside the exhibition, distributing them in space via a four-channel sound system. True to the artist’s form, the work is another example of otherwise unnoticeable phenomena shifting to become an audible soundtrack of our surrounding environment.
Museum Monday: This summer, the Parrish Art Museum in Water Mill, New York, has mounted an exhibition of sculptures and installations by Maya Lin, entitled Platform: Maya Lin. Using technological methods to study and visualize the natural world, Lin takes macro and micro views of the Earth - via sonar resonance scans and aerial and satellite mapping devices - and translates that information into expressive sculptures, drawings, and sited installations. On view will be nine works ranging in media from marble to recycled silver, including three never before exhibited works: Accabonac Harbor, Georgica Pond, and Mecox Bay.
Throwback Thursday: Richard Tuttle installs his work in Rome, circa 1980s.
“Richard Tuttle: Looking for the Map,” the artist’s fourth solo exhibition at Pace Gallery, is on view from February 7th through March 15th at our 32 East 57th Street location.
Currently on view at the Secession in Vienna this summer is Robert Irwin's Double Blind . This “site-conditioned” work responds to the unique architectural features of the main gallery. As with many of Irwin’s installations, the piece engages with such themes as experience, illusion, and light. This is Irwin’s first solo show in Vienna and it is on view until September 1st, 2013.
ARTINFO's highlights our current showing of Song Dong Doing Nothing. We hope you get a chance to see it for yourself!
Robert Irwin's Niagara (2011) is on view now at Albright-Knox Art Gallery in the exhibition “DECADE: Contemporary Collecting 2002-2012.”
Reblog of the day: The Ozymandias Parade is an opulent allegory of the abuse of political power, with a parade of figures and symbols representing elements of society. Whether the parade’s president shows a YES or a NO across his face is the result of a poll conducted in the weeks leading up to the installation’s opening, comprised of just one simple question: “Are you satisfied with your government?” To find out how our gallery visitors answered, come see this traveling exhibit for yourself at 510 West 25th Street.
Kienholz: The Ozymandias Parade / Concept Tableaux at Pace Gallery
If you’re not familiar with his work, be sure to also check out the controversial Five Car Stud (1969-72), which was on view at LACMA earlier this year.
(Photo: November 2012, Chelsea, NYC)
Li Songsong delves into abstraction and installation for his second solo exhibition at Pace Beijing which closes tomorrow, November 20th. Comprising of a single work, the artist has created a large metal tunnel internally lined with his characteristically thick color grids and undulating shades.
© Li Songsong, Courtesy Pace Gallery
Reblog of the day: Robert Irwin's Dotting the i’s & Crossing the t’s closes tomorrow, October 20th. This two-venue retrospective of Irwin’s oeuvre, in which he revisits seminal themes and works from his six-decade career is not to be missed.
Dotting the i’s and Crossing the t’s part 2, Robert Irwin
Reblog of the day: We highly suggest visiting Robert Whitman's performance tomorrow evening, which will bring together 90 people from 90 locations to create what he calls, “a cultural map of the world.”
Local Report 2012 by Robert Whitman
Presented by Creative Time and Eyebeam
Local Report 2012 is the latest version of a performance concept initiated by Robert Whitman in 1972 that involved “reporters” throughout New York City making calls over pay phones and submitting reports that were subsequently broadcast over a local radio station. Throughout the years, Whitman’s performances moved from pay phones to cell phones, and in 2005, to video cell phones. The newest incarnation of the project will be greatly expanded in scope to include “reporters” around the world and incorporate new Local Report software.
Performance: October 11, 2012, 7-8pm at Eyebeam Art + Technology Center, 540 West 21st Street, New York, NY
The performance will be recorded and presented in a multichannel audio and video installation in Eyebeam’s Main Space October 12-20, 2012.
Supported in part by a Robert Rauschenberg Foundation Responsive Grant.
At 510 West 25th Street, Pace presents Robert Irwin's iconic acrylic columns—the last works he conceived prior to abandoning his studio practice more than fifty years ago. Rising from the concrete floor and stretching more than fifteen feet towards the skylights above, the nearly transparent prisms warp the surrounding air and space. The columns are the completion and realization of an idea conceived in 1969. We hope you can visit these works for yourself, now on view until October 20th.
courtesy of BFAnyc.com.
We are mesmerized by the way Liu Jianhua’s recent installation, 1.2 Meters, utilizes iron wires as its medium. The artist’s “quiet aesthetic” works are currently on view at Pace Beijing until September 1st, 2012.
Reblog of the day! If you haven’t yet, be sure to visit Loris Gréaud: The Unplayed Notes on view now at 534 West 25th Street.
Marble sculptures of smashed “Encyclopedia of Irresolution” volumes from Loris Gréaud’s exhibition at the Pace Gallery, The Unplayed Notes (through June 9).
Robert Irwin: Dotting the i´s & Crossing the t´s, The Pace Gallery, 32 East 57th Street, New York City.© Robert Irwin / Artists Rights Society (ARS), New York. Photo by Kerry Ryan McFate / Courtesy The Pace Gallery.
Dotting the i’s & Crossing the t’s: Part I features a new site-conditioned installation that incorporates the gallery windows overlooking 57th Street, altering the viewers’ orientation. Knowing and seeing are challenged in this work. (via Exhibition of new work by Robert Irwin on view at the Pace Gallery)